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“Due Spicci”: A TV Show That Makes You Feel Good. And Laugh. And Cry

  • 4 minute read

The exhaustion of adult life looks a lot like that run where your legs keep turning but the horizon never gets any closer.

  • Zerocalcare’s new animated series, Due spicci, digs into the deep fatigue of contemporary adult life.
  • The suburban periphery becomes an existential metaphor — a mental state of inadequacy that belongs to anyone who’s ever felt on the margins.
  • Social performance anxiety generates a constant, frustrating feeling of being behind on life’s expected milestones.
  • Running becomes a therapeutic tool for escaping the background noise and sorting out chaotic thoughts.
  • Raw irony and humor are the only defense mechanism that actually works against the daily sense of failure.
  • The series shows that accepting your own fragilities is the first step toward finding your place in the world.

The Suburbs as a Mirror of Our Insecurities

Due spicci, Zerocalcare’s new animated series on Netflix, unfolds in a setting familiar to anyone who’s followed his work for a while. But Rebibbia is not simply a geographic backdrop of worn-down concrete and broken streetlights. In this story, it becomes the visual perimeter of an interior condition that anyone can recognize, regardless of their zip code. It’s the feeling of isolation — that mental place where you constantly feel distant from the center where things seem to happen for everyone else. A kind of permanent periphery.

The narrative never succumbs to the rhetoric of romantic marginality. Instead, it captures precisely how physical boundaries become psychological ones. The urban architecture mirrors the structure of our insecurities: every block is a doubt, every unmanned intersection is a deferred decision. The suburbs are the space where the distance between adolescent expectations and adult reality gets measured.

Adult Anxiety and the Permanent Feeling of Running Late

Anyone around thirty or forty is intimately familiar with that steady background frequency — the nagging sense of having missed a fundamental departure. The series takes on this existential knot without protective filters. The characters move inside unwritten social deadlines, constantly measuring themselves against the visible successes of others and their own delays, real or imagined.

This kind of anxiety isn’t triggered by a single event — it’s the daily management of routine existential administration. Relationships that change shape, professional compromises, the fear of not having built anything solid: these become the components of a weight that bears down on everything. It’s the default condition of a generation that must constantly recalibrate its own parameters of stability in a context stripped of fixed reference points.

Running to Sort Out the Mental Chaos

The protagonist — Zero, which is Zerocalcare himself and also his alter ego — uses movement as a decompression tool, a detail that immediately connects with the experience of anyone who uses sport for purposes that go beyond physical performance. When he runs through the empty avenues of his neighborhood, the rhythm of his footsteps isn’t there to set a personal record — it’s there to stabilize the mind. Heavy breathing drowns out the noise of unanswered questions.

Physical activity is stripped of any rhetoric about pushing past limits or the heroism of effort. It becomes, far more realistically, a biological and mental necessity for managing the daily crisis. On the asphalt, a silent analysis of problems plays out, thoughts falling into line with the cadence of feet. Running doesn’t solve life’s contradictions — but it turns down the volume of external chaos long enough to recover a temporary clarity.

Raw Humor as a Defense Mechanism

Put like that, it sounds like an introspective, meditative series — but Zerocalcare is, and knows how to be, very funny. He has no interest in displaying contemporary tragedy; he wants to transform it into something comic through sharp, self-pity-free irony. The use of exaggerated visual metaphors and tight dialogue lets you look your own miseries in the face without being destroyed by them. Laughing at a failure or an embarrassing situation is the only way to strip those events of their power.

This approach isn’t escapism — it’s a mature form of acceptance. Raw humor works like a disinfectant on an open wound: it stings, but it cleans the surface. The moment flaws and fragilities are exposed and ridiculed, they stop being unspeakable secrets and become shared traits — elements of a collective narrative that lightens the individual load.

Why We’re All a Little Bit Zero

Zerocalcare’s appeal lies in how easy it is to see yourself in the dynamics he portrays. Watching Zero’s adventures means recognizing your own inadequacies on screen — and accepting the fact that no one comes with a precise instruction manual for navigating adulthood. The protagonist’s contradictions are the same ones you experience when you try to balance your own instincts against the demands of the outside world.

The implicit conclusion of the story doesn’t promise magical solutions or comforting endings. What it suggests, instead, is the dignity of staying present — accepting the difficulty of the journey as an intrinsic part of your own evolution. Feeling imperfect, tired, or temporarily lost doesn’t mean you’ve failed. It means you’re part of a community of human beings who, with varying results, keeps moving to find its own direction.

 

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